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Monday, June 9th, 2008 09:21 pm
I was thinking about real person fic and it's associated ethical boundaries, and it suddenly struck me: I've been in RPF.

Back when I was in second year the then fresher Raven wrote a story called "Death Becomes Unisfa" which was a rambling disjointed description of everyone in unisfa dying in various wacky and unlikely ways (As I recall I dropped a giant turtle on someone's head. [livejournal.com profile] col_ki maybe?) Everyone read it and I don't remember anyone being very offended on principle, though I think some didn't like the particulars (I mean, a giant turtle? Is that really me?)

I realise that being described as a crazed Terry Pratchett obsessed murderer is not actually the sort of thing people tend to find objectionable in RPF, but it's still an amusing thought.

EDIT: Yeah, yeah, OFC is the wrong term, I couldn't think of a better title. Also, having been reminded of other similar stories, I think it make s abig difference what the intent is behind the story. If you're deliberately setting out to offend people then you probably will...
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Monday, June 9th, 2008 02:46 pm (UTC)
davyd wrote one which was pretty offensive, though perhaps only to me as I believe that was the reason he wrote it.

Sophia (no idea last name, went out with maelkann for a bit) wrote one in her fresher year which pissed a few people off too.
Tuesday, June 10th, 2008 12:12 am (UTC)
Oh yeah, Sophia's story was incredibly offensive to me as it suggested that I would be sexually involved with people who I find horrendeously ugly and a general waste of oxygen.

Raven's story had me drowning in the ocean after falling off a Greenpeace boat trying to save whale :P

And of course there was that slash story that Coman wrote... but it wasn't about me *phew*!
Tuesday, June 10th, 2008 02:37 am (UTC)
I forgot about those ones, since they weren't about me :) But yes, writing a deliberately offensive story in order to creep someone out is quite different to an affectionate flight of fancy with your friends and aquaintances as characters.