Following on from my post about monster women and again via
the_school_of_philosophy: the seam of skin and scales, in which a trans woman refuses to be see her body as a trap.
She doesn't mention disability explicitly, but almost everything she says rang very true for me, and trans people and disabled people are both very much left on the outskirts of white-young-feminist ideas about "loving your body". (In different ways of course, and I don't mean to flatten out the differences, especially since my disabilities are frequently invisible)
I am having a very interesting discussion with capriuni on a post she made about disability and monstrousness, and realised it may not be entirely a coincidence that I felt like drawing monster girls shortly after starting to go out more in my wheelchair and having to deal with the way that makes people look at me (and the way it makes me look at myself).
She doesn't mention disability explicitly, but almost everything she says rang very true for me, and trans people and disabled people are both very much left on the outskirts of white-young-feminist ideas about "loving your body". (In different ways of course, and I don't mean to flatten out the differences, especially since my disabilities are frequently invisible)
I am having a very interesting discussion with capriuni on a post she made about disability and monstrousness, and realised it may not be entirely a coincidence that I felt like drawing monster girls shortly after starting to go out more in my wheelchair and having to deal with the way that makes people look at me (and the way it makes me look at myself).
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(I'm chuffed you &
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And, yeah, I get sooo frustrated about white-young-feminist "loving your body" stuff. Mostly on other people's behalfs, but I'm nonbinary and relations between me and certain bits and pieces are kind of fraught.
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Anyway back in March,
http://tinyurl.com/knight-meets-dragonmaiden
I've not read the whole thing, yet... But I've read the beginning, and skimmed the contents for the rest. And even though the author does not make one conscious mention of Disability as a theme,* everything she does say about the Medieval Chivalric literature is similar to what I've read in Disability-Centered Lit-crit., especially in how the role of the monster in these stories is to reveal the true nature and honor of the Human hero (switch out "Disabled" and "Able-bodied" and there you go). What I found interesting is that one sign that the dragon is really a princess under a spell is that the dragon will still have human eyes and/or lips -- two of the hyper-gendered features in modern art... some 1,200+ years later. *sigh*
Also, early in her Introduction, she lists the twelve different categories of monster as codified by Isidore of Seville (seventh century archbishop of Spain); He listed "Hermaphrodites" as category #11...
*She is examining the intersections Monster Theory (a branch of literary/art criticism) and Animal Theory (a branch of Ethics)
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