You do not need a reason to include disabled characters in your story. Able bodied people are not the default. Saying you need a reason to make a character disabled is like saying you need a reason to make them a woman, or a POC, or mogai. Or, conversely, that you need a reason to make them able bodied, a man, white, or straight. In fact I’ve started trying to make all my characters disabled queer WOC by default and only making them able bodied etc when the plot requires it and I can see no way this is not just as valid a storytelling approach.
Now, able bodied people are the majority, but disabled people are still 10% of the population. So they should be at least 10% of your cast. If they are not without good reason you are perpetuating ableism. Making your cast 100% ablebodied is a choice, and an unrealistic one at that. (Making your cast 100% disabled is also kind of unrealistic, and is one reason I don’t do it. But I don’t see that it’s any worse) EDIT: This depends very much on the context of your story. If it's set in a nursing home the number of disabled characters should probably be higher than if it's set in a unit of Navy Seals.
And yes, when you write those disabled characters, you have to write them as disabled, you can’t just gloss over their impairments and write them as able bodied. And it will be a challenge. Suck it up. Use it as inspiration to write a more interesting story. Or, if your story really doesn’t work with that disability, give them a different one or make them able bodied. But don’t give up before you’ve even tried by default.
There is absolutely nothing wrong with starting out with the intention to write more disabled characters, and it is not pandering. Pandering to who, disabled people? OH NO.
You know what I find insulting? When a character in fiction shows up with a disability and I KNOW it will be plot relevant (and probably faked as part of them being the villain) because god forbid disabled characters just exist without it being a big deal. Like we do in real life.
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Thanks! wallows in praise
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Now, able bodied people are the majority, but disabled people are still 10% of the population. So they should be at least 10% of your cast. If they are not without good reason you are perpetuating ableism.
Would you say the same for other identity categories? And would this be for the country you live in, the world as a whole, or...?
For example, I see that 17% of people in the UK are over 65. Would you say that if at least 17% of my characters aren't over 65, I'm perpetuating ageism? It might well be true, upon reflection.
Still, cumulatively I suspect that the effort of getting my fiction to reflect the exact demographics of a certain area and period of time would be a mammoth task. Is this something that you actively try to do?
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Oh, it definitely depends on context! A story about a male baseball team is going to be mostly about young ablebodied men, for example, though some might have mental illness. But even then you're probably going to have random side characters: family members, random fans etc. And if THEY are ALSO all young ablebodied men then you're doing something wrong (unless your story is, like, a slash pwp. And even then some of them could be disabled ;)) Also in that context there should probably be a much higher proportion of black characters than is average, and if they're all white then you are definitely doing something wrong.
I don't try to reflect the EXACT demographics to the extent of counting proportions or anything. But I try to reflect it in general terms, yes. So for example I write a lot of stories set in Australia and try and include a fair number of Asian Australians, because they are a large-ish minority here. And if I realise there's a group I never include I try and fix that, eg I realised I never wrote trans characters and so included a few here and there in my fiction. And obviously it's impossible to confront all one's unconscious blindspots at once, and the demographics don't always break down evenly on a fine grain level: since I'm in a wheelchair I write a lot of wheelchair users, but I have trouble imagining being blind so have never written any blind ones.
But to me, the demographics of the place and time I'm writing is as important as, say, the language and attitudes. I make some effort for versimilitude, and err on the side of not hurting my readers, but accept that I'm limited and fallible. And I have to fudge realism here and there for the good of the story: I'm currently writing an f/f dating sim whose number of attractive 20-40 year old queer women is WELL out of proportion to the place it's set ;)
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I dunno man, my mental issues are a pretty big deal and I curse them, and their negative effect on my quality and standard of life daily. I'm amazed at people who get around this like it's NBD, but I don't know a single one, physically or mentally disadvantaged.
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Oh, absolutely, it's probably going to be a big deal to the character! But it shouldn't always be such a big deal to the story.
Like, as it is, when a wheelchair user shows up in a tv show I KNOW that the wheelchair will be plot relevant. They never ever just show up, do their not-wheelchair-related-thing, and then leave the plot again. I am ok with them being in a wheelchair being relevant to their characterisation. I am not ok with them always ending up tragic-for-disability-reasons, cured, or a fake.
It's like if fiction was 99% male characters and women only ever showed up to have a fertility related plot, or turn out to be a female impersonator. Having or not having children is a significant thing in many women's lives! It is not the ONLY story you can tell about a woman.
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nods
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high five